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| Ildevert MEDA : actor |
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I have been in this field since 1995. I have acted in many films and in many plays but mainly in films: “Dossier brûlant”(“Burning dossier”) by Aboubacar Diallo “ 3 Hommes, un Village” (“3Men, one Village”) by Idrissa Ouédraogo “Sophia” by Aboubacar Diallo I am entirely in favour of any contact whether internal or external, provided the content or the theme developed by the film-maker meets my ideals. Apparently, I do not see any inconveniency, we are here for that. Theatre is our job! Regarding my fans, I have nothing but thanks! It is thanks to their support that we exist. The pleasure is mine if the audience is already pleased by what we are doing. It is comforting! Because of their satisfaction, we feel as if we were already paid. And me, I have always been afraid of disappointing this audience; as a matter of fact, our job has become a little bit stressful, for I have to fulfil a contract: that of always pleasing the audience. The more we are appreciated, the more we have to double the effort so as not to disappoint. I strongly wish:
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" I strongly wish:that the artists finally get a status " |
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1°) that the artists finally get a status that will be for me, not only a social recognition of the artist’s profession, but also as a safety to our rear. Through this status, we could set up a mutual benefit society, for example for the artists, which, undoubtedly will relieve us considerably. Without a status, we are not yet acknowledged as workers. And you know our context. The family that sent you to school and that has taken care of you expects in turn that you help it. As a saying goes here “the she-ass gives birth so that the small one will release her burden”. Consequently, when one finishes one’s studies and is not capable of giving something to the family, as you can see, it is not an easy matter. Our society is a materialistic one. As far as one has not yet built a villa or one has not yet got a car, “the number is not up yet”. 2°) that enough facilities be set up for training 3°) finally, that the existing facilities be subsidized so that they could continue operating for instance like the CARTEL which works for the récréatales. To promote the artist, is beforehand to give him the means and the infrastructures to succeed.
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